'And now instead of men, there were only voices' is a project born from a material curiosity and an exploration of technological domination, raising questions about life, the Anthropocene, death, the post-human landscape, and our approach to the environment. The project does not aim to delimit or impose moral judgments on the viewer but rather to emphasize certain details of reality. The resulting shift in perspective is not only visual but also auditory.  Made from electronic waste, the objects, as well as the sound, are influenced by the natural environment. Although their shapes resemble organic nests, their scale distorts the figure and transforms the space in which the sculptures are installed. The audio, derived from recordings of water sounds, is processed and edited to refer to a familiar yet distant soundscape, creating an environment of distorted reality—a strangeness that evokes the memory of something known. The extreme intervention of humans in their environment is so excessive that it becomes something entirely different: an amalgamated ecosystem.